Outdoor Flash Techniques

Flash and High Speed Sync

I have had Canon Speedlite flash for a couple of years now but since I am primarily a wildlife and landscape photographer, I’ve rarely needed a flash.  But, recently I have been watching a number of very good flash tutorials on YouTube and I’ve been inspired.  What has intrigued me most is how the ambient light can be controlled with shutter speed and dark moody images can be shot in full daylight.  Last weekend my fiancé and I had the opportunity to spend a few days at a cabin in the country.  He would be spending his time hunting deer which would leave me hours on my own to practice some of the techniques I’ve been learning about.  Using a flash is simple but, like anything else, takes some practice.  The key to this technique is to put your flash on high speed sync which allows you to increase the shutter speed on your camera.

orbis^® Ring Flash Set up with flowers

 My first effort was with some Black-Eye Susan flowers at the edge of the lake.  I was using my orbis^® ring flash, which fits over my Speedlite, to soften the light.  The flash was then mounted on a little Joby tripod and placed to the side of the clump of flowers.  I used a 30’ Vello flash cord to attach the flash to my camera.  My camera, a Canon 5D MkII  with attached 70-300mm lens ,was mounted on a tripod.  I also hooked up an ioShutter™  cable which I attached to my iPhone so I could remotely trigger my shutter.  Since I was using fast shutter speeds it wasn’t really necessary but there would be less chance of me bumping or moving my camera.

Final image of flowers

I had to adjust my shutter speed up to 1/800^th of a second before I saw any real change in the ambient light.  Next I tried a shutter speed of 1/1250^th and finally at 1/2000^th of a second the background became nice and dark.  I had to move the orbis^® and flash numerous times.  If the flash was too close, the light appeared harsh even with the orbis^® diffuser.  If it was too far away, the flowers did not get properly lit up.  It took about 5 attempts before I got the effect I wanted.  A little tweaking in Lightroom to bring out the highlights resulted in a nice final image

Set up for bottle image - note the flash in the tree!

My next subject was a series of empty glass jars I found lying next to an old dilapidated cottage that was in a field nearby.  I picked up the jars and lined them up on a window sill.  I didn’t use the orbis^® ring flash this time because I needed more direct light and anyway, I couldn’t figure out how to balance it and the flash in the adjacent tree I was pressing into use as an assistant.  I used a plastic diffuser cap on the flash instead.  It had become cloudy by this time and I found that I only needed to push my shutter speed to 1/320^th of a second to get a dramatic look. Using Lightroom, I boosted the contrast and highlights and added some clarity and sharpening to get the theatrical end result.

Final image of jars on the window sill

Image straight out of the camera

My third practice session was with my fiancé Michael.  After hunting for hours and eating a big lunch, he was more than happy to sit in a comfy Adirondack chair by the lake and let me practice on him.  Once again I fitted the Speedlite with the orbis^® ring flash.  It does a beautiful job with portraits.  I set up the flash about 12 inches from the side of his face.  He hadn't shaved in a couple of days and I wanted to capture the texture of his scraggle.  I had to keep asking him to stop smiling since I wanted to capture the fierceness of his hunter persona.  The sun started peeking out from the clouds at this point so it became decidedly more difficult to control the ambient light.  After waiting for a passing cloud, I ended up using a shutter speed of 1/800^th of a second to capture a soft but moody portrait of Michael.  The striking final portrait was achieved in post processing by increasing the shadows and highlights to create a high contrast image that accentuates the texture and lines of the face.     

Boosted contrast produced this dramatic portrait

I’m very happy with my efforts and can’t wait to practice on other types of subjects. If you want to try this yourself, I recommend you watch some of the videos on YouTube produced by Adorama TV and B&H Photo.

The equipment I used that made these images possible are:

Canon Speedlite 430ex flash

Joby Gorilla tripod

Vello shutter trigger cord

orbis^® Ring Flash by Enlight Photo

ioShutter™ cable release and ioShutterPro iPhone app by Enlight Photo

The orbis and ioShutter can be ordered at: http://usstore.enlightphotopro.com/

Use the code: beachftw  to get a 10% discount and free shipping. (expires 04/30/14)

Coming up next:  ioShutter™ vs. Trigger Trap: A review and comparison of these two smartphone controlled camera trigger devices.

Visit my website at www.beachcottagephotography.com

Orbis® and Frio®: A review

OK.  I know that I usually take outdoor nature photos but sometimes I like to play with some creative indoor photography techniques.  Recently Enlight Photo sent me a couple products to try out.  I had a photo exhibit to prepare for and classes to teach so I didn’t have a spare minute to try them out until the last few days.  What a fun few days I have had.  

Frio® attaches flash to tripod

The first item I used was the frioTM cold shoe.  This handy gadget allows you to attach your flash to any tripod or any stand with a standard 1/4-20 thread.  I used it to mount my flash on my little Joby tripod which I positioned to light the underside of a glass dish that contained oil and water.  This classic macro technique produces wonderful abstract images.  I really loved the ease and simplicity of the frioTM. It is small and light and allowed me to place my flash exactly where I needed it for the job. 

Oil & Water Study

Enlight Photo’s signature product is the

Orbis® set up

orbis®, an accessory that turns your detachable SLR flash into a ring flash. At first glance the orbis® , seemed a bit bulky compared to the compact macro ring  flashes I'm used to  but, I soon found that to be a good thing.  Its size allows it to diffuse light beautifully, eliminating ugly, harsh shadows. It simply fits over your flash gun allowing for TTL operation of your flash.

Along with it, they included the orbis® arm which attaches to the tripod mount on the bottom of your camera and holds the flash and orbis® in place around your lens. I found that the arm added unnecessary weight and bulk to the whole setup.  In fact it was difficult for me to hold the camera up with one hand with the flash, arm and orbis® attached for more than a minute or two at a time. To be fair, I was starting out with a Canon 5D MKII with a 70-300mm lens attached.  Combined they weigh almost 4 pounds and I am a petite female. Once I removed the arm, the problem was solved and I could easily hold the unit in my right hand while I adjusted focus and such with my left. While the orbis®  is designed to be used with support for the flash, it held my flash tightly enough so it could hang down from the bottom when I needed to let go for a moment to make adjustments with my left hand.  The arm  or hand held support would be necessary for larger, heavier flash units. The weight was not a problem when I mounted the unit on a tripod.

Birds Nest

For some time I have been wanting to photograph a bird’s nest I found last winter so I decided to use it as the subject for my first test of the orbis®  I set up my ‘stage’ by placing a black hinged science board on a black tablecloth. I mounted my camera on my tripod and linked the flash to the camera with a flash cord.  It took me a few tries with various adjustments to the flash strength to get some great images.  I am very pleased with the soft light produced by the orbis® and that I was able to achieve the look I wanted by isolating my subject from the background. At half the price of an electronic ring flash, the orbis® is a great product and a fantastic money saver. And, while this test was done indoors, I plan to take both the frioTM and the orbis® outdoors next so, stay tuned...

If you would like to try the Orbis® yourself, go to: http://usstore.enlightphotopro.com/ 

Get 10% off plus free shipping by using the coupon code: beachftw

For more information on the Orbis® and other great products from Enlight Photo visit: http://enlightphotopro.com/ 

For more examples of photograph by Barbara Marie Kraus visit: http://BeachCottagePhotography.com/

Images taken using the Orbis® and  frioTM

Raccoon Skull

Shore bird Skull

Preserved Dragonfly on dried flowers

Oil & Water Study II

Sunrise, Sunset

Summer 2013

Golden Isles, Golden Images

Destinations for Photographers

by Barbara Marie Kraus

           Sunsets and sunrises have long been a popular subject for photographers.  The most interesting images are those that have some foreground interest or a silhouette.  A good silhouette has some detail and a recognizable shape.  Excellent choices for silhouettes are boats, piers, trees or people.

            Composition is the key to a great picture. The focal point of your image will be determined by where you place your horizon.  Never put the horizon across the middle of the image. Instead decide what part of the scene is more interesting.  If the clouds are creating dramatic patterns, put the horizon line 1/3 up from the bottom to maximize the sky.  If reflections in water or a detailed foreground are more interesting than the sky, place the horizon line 1/3 from the top.  Try placing the sun 1/3 to the left or the right too.  It’s also important to make sure your horizon is straight.  You don’t want your pier, tree or person to look like they are sliding out of the scene.  Try using different focal lengths; wide angle shots create sweeping landscapes while zooming in will make the sun look larger.  Remember, it can be dangerous to look straight at the sun while zooming so, be careful.

Be prepared and scout out a good location well in advance. Once the sun gets close to the horizon it moves quickly so you don’t want to be racing around looking for a good vantage point.

            You will probably need to take your camera off the Auto setting if you want to capture the beautiful saturated colors in sunrises and sunsets.  Switch the mode dial to "M" and adjust the aperture setting to f/5.6 and your ISO to100 or 200. Adjust the shutter speed until the previewed sunset image looks dark, highlighting the sunset and turning other subjects in the foreground or background into silhouettes.  If you have a point and shoot camera, check to see if it has a Sunset Scene setting.

            Don’t arrive too late or leave too early.  The most dramatic sunrises occur before the sun has crested the horizon.  For sunsets, ten to twenty minutes after the sun sets is a great time to capture deep and intense colors.

            One of the most popular locations in the Golden Isles to capture beautiful sunrise images is Driftwood Beach on Jekyll Island.  Giant driftwood trees create stunning silhouettes against the sun rising up from the ocean.  Get there at least 30 minutes before sunrise for the best results.  If you like pier silhouettes, sunset images taken from the St. Simons village area and Clam Creek on Jekyll Island both provide dramatic vistas.

Each Wednesday night this summer from June 26 – July 31you can join Barbara Marie Kraus at the St. Simons pier for a hands-on Photographing Sunsets workshop.  Contact Glynn Art Association for more info at 912-638-8770 or visit www.glynnart.org.

     

For information on outdoor photo workshops at Harris Neck Wildlife refuge or private lessons visit www.BeachCottagePhotography.com or call 912-996-0170

Photographing Birds in the Golden Isles

April 2013

Golden Isles, Golden Images
Destinations for Photographers
by Barbara Marie Kraus

Mating Egrets

            One thing any visitor to the area will quickly realize is that we have birds - lots of birds.  The rivers, marshes and ocean provide habitat for more than 300 species.  Some species live here year round while others are just passing through as they migrate.  Commonly seen birds that make the Golden Isles their permanent home include wood storks, egrets and herons, pelicans, osprey, terns, rails, gulls, sparrows, painted buntings and a variety of other song birds.  The key to interesting bird photos is getting close.  Any image where the subject fills the frame is going to have more impact and since birds are skittish, a telephoto or zoom lens is a must. 

Red Shouldered Hawk

        


Largely undeveloped, Jekyll Island offers some of the best locations for capturing photos of area birds. The number and type of birds found at these locations will vary with the tides and the time of day so get ready to visit each spot multiple times:
·         The observation platform at the St. Andrews Picnic area on the south end looks out over a tidal creek and marsh area where wading birds, like herons, egrets and wood storks are often found feeding. 
·         Walking along St. Andrews beach to the east will bring you to the southern tip of the island where seabirds of all types, including flocks of pelicans, can be seen resting at the water’s edge at low tide.  Other birds commonly seen dashing in and out of the edge of the surf at high tide are plovers, sandpipers, clappers and oystercatchers. Gannets and cormorants can often be spotted skimming above the waves or diving for fish not too far from shore.
·         Adjacent to the historic district, the pond behind the old amphitheater serves as a small rookery and is a perfect place to shoot images of nesting storks and egrets with chicks in the late spring.
·         The Visitors Center along the Jekyll Island causeway has a 25 foot tall observation tower that looks out over the Marshes of Glynn. It’s hard to make the drive across the marsh without seeing the dark shapes of osprey and hawks crisscrossing the roadway.
·         The west side of Highway 17 just south of the Sidney Lanier Bridge is a favorite feeding spot at high tide in the summer, for the colorful Roseate Spoonbill.

Brown Pelican

Wood stork

 


       Almost any dock, pond or marsh area can be a potential spot to take a good bird photo so carry your camera with you as you visit different areas. You may be lucky enough to capture that award winning photo right here in the Golden Isles of Georgia.

Winter Adventures on the Appalachian Trail

Written by Barbara Marie Kraus

Photography by Barbara Marie Kraus

          Winter hiking and camping are not for everyone - we realize that.  We often get asked why we would want to trudge through an empty leafless forest just to spend the night in a tent on a mountain in the dead of winter. While most people would rather sleep in a warm cozy bed, we like being bundled tightly into our down mummy bags with only a thin piece of nylon between us and the elements.  To us, laying and listening to the random rhythm of raindrops and the heave and hoe of wind howling through the trees is to listen to the music of the land and the breath of the earth.  It settles our souls, and soothes away the anxiety and stress brought on by the din of modern life. These raw, outdoor adventures help us appreciate the ease and abundance we enjoy in the Western world. 

          For three days and two nights Michael, a life-long, experienced outdoors-man and mountaineer and I, a professional photographer and occasional trekker, will hike and camp along the Appalachian Trail in North Georgia over the New Year’s weekend.  We will carry everything we need in packs on our backs and hike a total of twenty five miles.  Our final destination is the Lodge at Amacolola Falls where we will enjoy two nights of comfort and ease.  The weatherman is calling for rain on our first night camping and dry weather on the second with temperatures ranging from lows in the high thirty’s to highs in the mid-forties.  We are looking forward to relatively mild weather and hope the forecast is accurate but conditions can change quickly in the mountains so we are prepared.

          We have just finished a big home-cooked breakfast at the Hiker Hostel north of Dahlonega, GA.  It’s about 10:30 am and a very pleasant fifty three degrees as our shuttle driver, Patsy drops us off on the forest service road at Justus Creek.  She takes our photo, and wishes us well as we load our packs up onto our backs and head off along the creek on an old hunting path that Michael remembers from years ago.  The small footbridge that once crossed the creek is now gone and we have to carefully scoot along an icy log to get to the other side.  While the creek is less than twelve inches deep, neither of us wants to start our hike with wet feet.  Within minutes we spot the familiar white blaze that marks the Appalachian Trail.  This section of the trail is beautifully maintained with log steps set into the hill and large stones that make crossing the creek easy.  The climb south over Justus Mountain is steep and gets our hearts quickly pounding.

          The sun is shining through drifting clouds and it is wonderfully tranquil hiking through the stark winter forest. The leaflessness of the trees allows us to see the rise and fall of the land which normally hides behind the forest foliage at other times of year. Small pockets of old snow can be seen in the shaded valleys and icicles hang off rocks.  Along the path, ice crystals have pushed up out of the ground which creates a wonderful crunching sound as we step on them. In contrast to these wintery signs, lush green moss clings to downed trees and blankets small areas of the forest floor. I pause to take a photo of the primal forest scene and a bird can be heard in the distance breaking the stillness. As we hike down the backside of Justus Mountain to Cooper Gap.  We stop to rest at the forest service road that passes through the valley and are startled by three mountain bikers who whiz past us in a blur, As we load up again,  the whisper of a slight wind in the upper reaches of the trees can be heard and the scattered clouds of earlier have begun to thicken. After another steep climb we pause to rest along a ridge on Sassafras Mountain. Through the trees, the North Georgia Appalachian Mountains can be seen fading into the distance.   Michael and I plan to thru hike the Appalachian Trail one day and it is rather daunting to think that these rolling hills, born millions of years ago are only a small part of that more than twenty one hundred mile journey.

        By mid-afternoon the sky has started to darken and the temperature has dropped.  We are expecting rain tonight but hope that we will have time to set up camp, cook and eat before it starts. Around 4:30, we see the Hawk Mountain shelter through the trees. To our delight the campers who have already arrived are busy chopping and splitting downed limbs to make a fire. This shelter has a loft in which a group of three young people from Mobile, Alabama have set up their tent and settled in. The main floor of the shelter has been claimed by a father and son team from Richmond Hill, Georgia who are also busy setting up. We greet them and decide to pitch our tent about forty feet from the shelter near the path to the privy.  By the time we finish setting up, the groups staying in the shelter have built an outstanding blaze in the fire pit.  The temperature has continued to drop and it will certainly be colder than forecasted by dark.  Despite the cold, we enjoy exchanging hiking stories and equipment reviews with our new friends while we cook dinner on our tiny folding camp stove at the shelter picnic table.  Tonight's fare is whole wheat couscous with foil pouch chicken marsala. It tastes especially good after a day of hiking. By now the sun has been down for almost an hour and everyone is starting to feel the chill. We sit on logs placed around the fire pit while we eat, simultaneously warming our feet and our bellies. Before long we feel the first rain drops.  Luckily the clouds do nothing more than spit while we finish eating and clean up. It's only 7:00pm when we bid the others good night and head off to our tent. Just as we settle in the rain increases, and we have no trouble falling asleep to the steady patter of drops on the fly of our tent.

          We wake around 7:30 am. It’s warmer this morning but only slightly. The temperature is still in the thirties. Unfortunately, there is no chance to building a fire on this wet morning so we decide to linger in our down sleeping bags until almost 8:30am before crawling out to greet the day. The rain has stopped but the mountain is now enveloped by a thick mist which creates an eerie and hushed landscape of darkened shapes and shadows. The campers in the shelter start to stir as Michael fires up the stove to boil water. Soon we are enjoying hot coffee and instant grits with homemade beef jerky.  Hopefully it will give us the energy to deal with any challenges we may face on today’s hike.  We will continue south on the Appalachian Trail towards Springer Mountain.  Depending upon how far we hike, we will have a choice of shelters that we can stay at.  The weather forecast is for dry weather but this moisture is looking persistent.  While rain is fine at night and we have waterproof clothing, hiking in the rain is usually difficult and unpleasant.  We hope the sky clears soon.

          At 9:50 am we say good bye to the others and hit the trail again. The path is still shrouded in a thick fog making the de-saturated landscape fade quickly away.  Our already simplified existence is further reduced to the trail and a few trees on either side like a scene in a plastic snow globe.  Around lunch time, we reach another forest service road and make a short detour to visit the historic Hickory Flats Cemetery.  Most of the graves date from the early 1900's and are indicated by only unmarked stones. We wander about looking at the graves as we eat but soon get back on the trail.  Rather than climbing as expected, the thermometer continues to drop and to our surprise, tiny snowflakes start to drift down through the bare branches of the trees. The snow is so fine it melts away as it touches the ground. It is pretty to watch but we hope it will not cause problems with our hike.  Within an hour we reach a side trail which takes us west to Long Creek Falls.  This charming creek tumbles over a twenty foot high rock face and then travels down a series of smaller terraces before disappearing around a bend.  I set my camera on a large boulder and set the timer, racing to stand beside Michael before the shutter clicks. It’s the perfect vacation photo op.  As we turn to leave the falls, we meet up with a hiking family who has parked at a forest service road about a mile away. They are the third group of day hikers we have met on the trail so far today.

                   It is now about noon and there is another noticeable change in the weather as we stop for a snack at a wooden footbridge that crosses a stream. The snowflakes have started to get larger and are starting to stick to the broader leaves of the rhododendron bushes. It’s not long before the air is filled with fluffs of white and  I am reminded of my childhood in Canada as I watch the floor of the forest is slowly turn white. We hike for more than two hours watching the snow collect and enjoying the wintery sights. We reach Stover Creek shelter but nobody has yet taken up residence and we press on.  To our dismay, we soon notice that the snow is starting to change again. The fluffy white flakes have suddenly become small and hard.  Icy pellets sting our unprotected faces and start to collect on the sides of branches and leaves creating the illusion of razor sharp edges. As we begin our ascent of Springer Mountain, the wind whips up even more, and by the time we reach the summit it is bitterly cold and blowing hard. We make our way to the shelter and to our surprise find that it already has a lodger.  A man whose trail name is ‘Catfish’ and who thru hiked the Appalachian Trail in 2011 has decided to relive his hike with an overnight stay. It’s 3:00 pm and he is snuggled into his sleeping bag reading the shelter journal. We stop to chat for a few minutes but have already decided to get out of the severe wind of the summit and press on to the next shelter at Black Gap. As we reach the plaque that marks the southern terminus of the Appalachian Trail we are astonished to meet three hikers wearing shorts and carrying very light gear.  The temperature is well below freezing with a wind chill in the teens but they seem unconcerned.  Wishing them well, we press on down the other side of Springer. The Appalachian Trail ends on Springer Mountain and we are now on the Approach Trail which will lead us to our warm bed at the Amacolola Falls Lodge tomorrow.   With that in mind, we press on.

                    The next shelter is still a mile and a half away; the only way to stay warm is to keep moving. The descent is steep in places and we are stiff with cold.  We have to hike slowly and carefully.  The wet conditions last night and the plunging temperatures today have created pockets of ice on the trail.  Our packs make us top heavy, making it difficult for us to catch our balance if we slip.  Thankfully by 4:30 pm we reach the shelter at Black Gap. We are happy to be done with the trail and its dangerous conditions for the day. This shelter is a three sided structure with a small overhang. Not one of the fancier huts but it will provide us with a place to set up the tent out of the bone-chilling wind. Michael heads down a steep slope to a ground spring to fill the water bottles while I start pulling the tent and fly from our packs. I haven't felt my toes or finger tips since the top of Springer and all I can think about is crawling into my down bag inside the tent. Michael returns with the water just as I am getting the fly fastened on the tent. He quickly assembles the stove and begins boiling water while I unroll our sleeping pads and pull the sleeping bags out of their stuff sacks, shaking them out to get loft in the down. The tent is ready just as I start to shake with cold. I remove my boots and crawl fully clothed into my sleeping bag.   

                    I usually do the cooking when we are on the trail but tonight I am totally spent.  I have put myself in Michael’s able hands.  Lucky for me, he is a veteran camper, hiker and international mountain climber.  This weather doesn't faze him one bit.  He is trained in search and rescue and basic wilderness first aid and has helped fellow hikers avoid hypothermia in the past.  I take comfort in the fact that he is in control.   Within minutes he hands me a steaming cup of miso soup and turns back to boil more water to cook the noodles for Pad Thai. He expertly adds the dehydrated veggies I prepared at home, before he drops the pouch of Pad Thai sauce into the water to heat. In record time I'm eating a hot delicious meal and beginning to regain feeling in my extremities. We finish eating and Michael makes a second trip to get more water. We will need it in the morning for breakfast but more importantly, it will keep us from freezing tonight. He boils a second pot of water and carefully divides the steaming water between our two Nalgene bottles. Soon we are both cocooned in our bags soaking up the heat from our makeshift hot water bottles. For a special treat I serve us both a square of dark chocolate with sea salt which we savor as we listen to the roaring of the winds in the trees above.

          Morning is sunny but still very cold. I would rather stay in the warmth of my sleeping bag but I have no choice but to get up.  My refusal to venture out to the privy in the freezing wind last night has made a visit first thing this morning critical.  Michael starts to boil water for coffee and then heads out to see if he can find any animal tracks while the stove does its work.  I find that I am not the first to visit the privy since the snow stopped. A single set of fox prints leads the way and back.  Michael locates coyote tracks about 5 yards from the shelter.  It is evident that we were not alone last night.  We both return to the shelter to enjoy our morning coffee.  I have to make up for abandoning my cooking duties last night and start mixing the batter for sweet potato pancakes.  Thirty minutes later we have eaten and packed up.  Even though the sun is shining, the temperature is still in the twenties and I am eager to get moving to warm myself up.  As we walk up the path from the shelter to the trail, the aurorean light is quickly erasing all thoughts of last night’s discomfort.  The landscape is pristine white and a lone bird sounds off as we start to climb the gentle slope up Black Mountain.  As we reach the crest of the first rise I have to catch my breath.  Last night’s storm has transformed the forest into a magical land of cut crystal.  Every tree, bush, and strand of grass is coated in ice.  The effect is almost blinding as the morning sun sparkles and reflects off the branches and leaves.  Looking up, the trees appear to have diamonds hanging in clusters from their branches.  We hike slowly.  I have my camera out and I’m trying to take photos of everything knowing full well that modern technology is incapable of capturing the full scope of this experience.  That storm last night was not so bad after all, I think to myself.

          Slowly the enchantment of the mountain top fades as we descend into Nimblewill Gap.  Within a short distance the snow has totally faded away and the warm sun has melted the ice.  We pass a couple out on day hike, who tell us that the Len Foote Hike Inn gives hot coffee to hikers who stop there.  The thought of a warm room and hot brewed coffee makes the decision to detour over to the inn an easy one for us.  By 11:30 am we are sitting in the Hike Inn family-style dining hall with a number of other hikers, enjoying not only hot coffee but vegetable soup and desserts left over from the previous night. The food and drink are free, though we generously add to the donation box as we leave.  Feeling happy and full we pause in the inn’s reception area to sit on a comfy sofa and look at the antique hiking equipment on the walls.  A large synthetic stuffed black bear wearing a Hike Inn employee t-shirt watches Michael thumb through an informational booklet.   Eager now for the comfort of our room at the lodge, we head out and don our packs once again.  The Hike Inn is 5.5 miles from the Lodge at Amacolola Falls and all I can think about is a long hot soak in the tub.  The path between the Hike Inn and the Lodge is popular and we pass many people out for day hikes or heading to the inn to spend the night.  It’s almost 2:00 pm when we emerge from the woods onto the paved road that leads up to the Amacolola Falls Lodge and within minutes it comes into view.  The sight of hikers in full gear plodding into the beautiful lobby is not uncommon; however we are the only ones around today.  As we check-in, the clerk asks if we would like a cart for our packs.  Michael and I smile at each other as we decline.  Another few yards hiking won’t hurt us and I can already hear that bathtub filling.

THE END

In The Fog

January 2013

Golden Isles, Golden Images:

Destinations for Photographers

A temperate winter climate is one of the hallmarks of life in the Golden Isles.  The overbearing heat of summer gradually gives way to sunny winter days with average high temperatures around 65 degrees and lows around 45 degrees.  To the delight of photographers, these cooler temperatures often bring with them fog.  As the colder night air passes over our warm waterways and moist salt marshes, it is common to wake up to wonderfully mysterious and peaceful misty mornings.      

Taking photographs in the fog can give your images a moody and atmospheric feel.  Scenes become less clear and defined as parts of the subject disappear in the mist. Since fog acts as a natural soft box by scattering light sources, contrast and color saturation are dramatically reduced.   

There are a number of locations in the Golden Isles that are especially interesting in the fog. My favorite is downtown Brunswick.  With its combination of marina, shrimp boat docks, industrial pier, parks, historic homes and main street, Brunswick has a photo op for everyone.  The waterfront at Mary Ross Park provides the perfect vantage point for up close studies of the local shrimping fleet.  Up to a dozen shrimp boats can be moored three deep, along the dock here at any time.  With their colorful names, weathered paint, rigging and netting, photographing them in the fog adds a certain mystery to the ways of the commercial fisherman.

 

Just north of Mary Ross Park is a marina with a large collection of sailboats and other recreational craft. Immediately to the south, the industrial pier often has an ocean going freighter at its moorings, and it’s possible to stand within 50 yards of the vessel.  Both provide interesting and creative opportunities.  One block behind the park is Newcastle Street a typical ‘Main Street USA’ circa 1910.  Just south of downtown, the adjacent Old Town district of Brunswick is filled with a picturesque collection of late 19^th century homes featuring everything from Gothic to Victorian styles. Union Street has some the grandest and best preserved.  If you continue south to US Hwy 17, you will come to the Marshes of Glynn.  Turn right onto the access road just before the Sidney Lanier Bridge.  Here you will find Liberty Ship Park which lies in the shadow of the bridge.  From this vantage point, sweeping vistas of the surrounding marsh and Turtle River compete with the majesty of the bridge itself as it rises over the water.

All of these locales offer great photographic opportunities in clear weather, but when photographed in the mist, the subjects take on a timeless quality and other worldliness that can’t be captured on a clear day.